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Filename: RC4006.TXT [PAGE 83] ROSICRUCIAN CHRISTIANITY PHILOSOPHY COURSE: LESSON NO. 39: FAUST [Continued]: "The wages of sin is death," says the Bible, and when we sow to the flesh we must expect to reap corruption. Neither should we be surprised that one who is negative of character, like the class described as the Sons of Seth, represented by marguerite in the Faust myth, falls a prey to this law of na- ture at an early date after his measure of sin has been filled. The speedy apprehension of Marguerite for the crime of matricide is an illustration of how the law works. The holy horror of the church that was remiss in not guarding her while there was yet time, is an example of how society seeks to cover up its negligence, and holds up its hands, shocked by the crimes for which it is itself, in a great measure, responsible. Had the priest sought the confidence of Marguerite instead of coveting the jewels, he might have protected her from the fat that befell her, and though she might have suffered by losing her lover, she would have remained pure. It is, however, through the intensity of sorrow that the suffering soul finds its way back to the source of its being, for we have all as prodigal sons left our Father in Heaven; we have wandered afar from the realms of spirit, to feed upon the husks of matter, to gather experience and to gain individuality. When we are in the slough of despair we being to realize our high parent- age and exclaim, "I will arise an go to my Father." membership in churches, or the study of mysticism from an intellectual point of view, does not bring the realization of the WHITHER, which is necessary before we can follow the Path. But when we are bereft of all earthly support, when we are sick and in prison, we are nearer and dearer to the Saviour than at any other time. Therefore, Marguerite in prison and under the ban of society, is closer to God than the innocent, beautiful and pure Marguerite, who had the world be- fore her when she met Faust in the garden. The Christ has no message for those who are satisfied and love the world and its ways. So long as they are in that condition of mind he cannot speak to them nor can they hear His voice. But there is an infinite tenderness in the words of the Saviour: "Come unto me all ye that labor and are heavy laden, and I will give you rest." the sinning soul symbolized by Marguerite in her prison cell, standing alone, ostracized by society as a moral and so- cial leper, is impelled to turn her eyes heavenward and her prayer is not in vain. Yet, even to the last moment, temptations beset the seeking soul. The gate of hell and the gate of heaven are equally close to the prison cell of Marguerite, as illustrated by the visit of Faust and Lucifer who endeavor to drag her from prison and impending death to a life of shame and bondage. But she stands firm; she prefers prison and death to life and liberty in the company of Lucifer. She has thus stood the test and qualified for the King- dom of God. Solomon was the serf of Jehovah and as a Son of Seth he was bound to the God who created him and his ancestors. But in a later life, as Jesus, he left his former Master at the Baptism and then received the Spirit of the Christ. So every Son of Seth, must some day leave his guardians and take a stand for Christ, regardless of the sacrifice entailed thereby, even though life be the price. Marguerite in her prison cell takes that important step and qualifies for citizenship in the New Heaven and the New Earth, BY FAITH in Christ. Faust, on the other hand, remains with the Lucifer Spirit for a considerable time. He is a more positive character, a true Son of Cain, and though the wages of sin must eventually bring him death, salvation may come through a purer con- ception of love and through works. In the second part of Faust we find the hero broken in spirit over the disaster which has befallen Marguerite through his instrumentality. He re- alizes his fault and begins to climb the road of redemption. He uses the Lucifer Spirit, bound to him by the bargain of blood as a means of attaining his end. he becomes an important factor in the affairs of state of the country whither he has journeyed, for all the Sons of Cain delight in state- craft as the Sons of Seth love churchcraft. Not content, however, to serve another, under existing conditions, Faust sets the diabolical forces under his command to create a land, to raise it out of the sea and make a New Earth. He dreams a Utopian dream of how this free land shall be the home of a free people who shall dwell there in peace and contentment living up to the highest ideals of life. These ideals are generated in his soul by the love of a character called Helen, which is a love of the loftiest and most spiritual nature, entirely separate from the thought of sex and passion. In the course of time he sees this land rise from the sea but his eyes are growing blind, for he is shift- ing this gaze from an earthly to a heavenly condition. While he thus stands looking at the forces marshalled by Lucifer, toiling at this behest day and night, Faust realizes that he has made real the claim of Lucifer, to be "The power that still Works for good though scheming ill." He sees his work with the lower forces nearing completion, but his sight grows dimmer, and with that intense longing which comes to the soul to see the fruitage of its works, he desires to retain his sight until all shall have been accomplished and his Utopian dream shall have become a reality. Therefore, as the vision before him--the land rising from the sea and the happy people who live upon it in good fellowship--fades from his sightless eyes, he utters the fateful words named by him in his bargain with Lucifer: [PAGE 84] "Whenever to the passing hour I say, 'Oh stay! thou art so fair, Then unto thee I give the power To drag me down to deep despair. Then let me knell no longer linger, Then from my service thou art free; Fall from the clock the index finger, Be time all over then for me." By terms of that bargain, when Faust has uttered the fateful words the forces of hell are loosed from bondage to him, and he in turn becomes their prey: at least so it would seem. But Faust did not desire to stay the march of time for the purpose of enjoying sensual pleasures nor of gratifying selfish desires, as contemplated by the bargain. It was for the realization of an altruistic and a noble ideal that he wished to stay the passing hour. Therefore, he is really free from Lucifer, and a battle between the angelic forces and the hosts of Lucifer finally results in the triumph of the former, who carry the seeking soul to the haven of rest in the kingdom of the Christ, while they utter the following words: "Saved is the noble soul from ill, Our spirit peer. Whoever Strives forward with unswerving will Him can we aye deliver. And if with him celestial love Hath taken part, to meet him Come down the angels from above; With cordial hail they greet him." Thus the Faust of the myth is an entirely different character from the Faust of the stage; and the drama which begins in heaven where permission was given Lucifer to tempt him, as Job was tempted in ancient times, also ends in heaven when the temptation has been overcome and the soul has re- turned to its Father. Goethe, the great mystic, fittingly ends his version with that most mys- tic of all stanzas found in any literature: "All that is perishable, Is but a likeness. The unattainable Here is accomplished. The indescribable, Here it is done. The Eternal Feminine Draws us on." This stanza puzzles all who are not able to penetrate into the realms where it is supposed to be sung, namely heaven. It speaks of all that is perishable being but a likeness, that is to say, the material forms which are subject to death and transmutation are but a likeness of the archetype seen in heaven. "The unattainable here is accom- plished"--that which seemed impossible on Earth is accomplished in heaven. No one knows that better than one able to function in the realm, for there every high and lofty aspiration finds fruition. The indescribable longings, ideas and experiences of the soul, which even it cannot express to itself are clearly defined in heaven; the Eternal Feminine, the great Creative Force in Nature, the mother God, which draws us along the path of evolution, becomes there a reality. Thus the Faust myth tells the story of the World Temple, which the two classes of people are building and which will be fi- nally the New Heaven and the New Earth prophesied in the Book of Books. QUESTIONS: 1] How is the soul lead back to the source of its being? 2] Was Jesus a Son of Seth or a Son of Cain? 3] Explain how he broke away from the Jehovistic regime? 4] What quality was developed in Marguerite which brought her into the New Heaven? 5] What does Helen represent? 6] Who finally rescued Faust from Lucifer? 7] What qualifications had Faust built so that he could be delivered by the angels? 8] What is the meaning of the Eternal Feminine? [PAGE 85] LESSON NO. 40: THE RING OF THE NIEBELUNG: "The Rhine Maidens": Repetition is the keynote of the vital body and the extract of the vital body is the intellectual soul, which is the pabulum of the Life Spirit, the true Christ principle in man. As it is the particular work of the Western World to evolve this Christ principle, to form the Christ within that it may shine through the material darkness of the present time, reiteration of ideas is absolutely essential. Unconsciously the whole world is obeying this law. When newspapers start out to inculcate certain ideas into the public mind, they do not expect to accomplish this by a single editorial, no matter how powerfully written, but by articles of daily recurrence they gradually create the desired sentiment in the public mind. The Bible has been preach- ing the principle of love for two thousand years, Sunday after Sunday, day by day, from hundreds of thousands of pulpits. War has not yet been abol- ished, but the sentiment in favor of universal peace is growing stronger as time passes. These sermons have had but a very slight effect is so far as the world at large is concerned, no matter how powerfully a particular audi- ence might be moved for the time being; for the desire body is that part of the composite man which was impressed at the time and was stirred thereby. The desire body is a later acquisition than the vital body, hence not so crystallized, and, therefore, more impressionable. Because it is of a finer texture than the vital body, it is less retentive, and the emotions so easily generated are also easily dissipated. A very small impact is made upon the vital body when ideas and ideals filter into it through the auric envelope, but whatever it gets from study, sermons, lectures, or reading is of a more lasting nature, and many impacts in the same direction create im- pressions which are powerful for good or for ill according to their nature. In order that we may benefit by this law of cumulative impacts, we take up for study, another of the great soul myths which throws light upon the mystery of life and being from a different angle, so that we may learn whence we have come, why we are here, and whether we are going more thor- oughly than before. As previously said, all myths are vehicles of spiritual truths veiled un- der allegory, symbol, and picture, and, therefore, capable of comprehension without reason. As fairy stories are a means of enlightenment to children, so these great myths were used to convey spiritual truth to infant humanity. The Group Spirit works upon animals through their desire bodies, calling up pictures which give to the animal a feeling and a suggestion of what it must do. Likewise, the allegorical pictures, which are contained in myths, laid the foundation in man for his present and future development. Subcon- sciously these myths worked upon him and brought him to the stage where he is today. Without that preparation he would have been unable to accomplish that work which he is now doing. Today these myths are yet working to prepare us for the future, but some are more under their spell than others. The path of empire and civilization has followed the Sun's course from east to west, and in the etheric atmo- sphere of the Pacific coast these mythical pictures have almost faded away, and man is contacting spiritual realities more directly. Further east, par- ticularly in Europe, we find still the atmosphere of mysticism brooding over the land. There, people love the ancient myths which speak to them in a manner incomprehensible to the westerner. The soul life of the people among the fjords and fjelds of Norway, on the heaths and moors of Scotland, and the deep recessed of the Black Forest of Germany, and among the Alpine Gla- ciers, is as deep and mystical today as a thousand years ago. They are in closer touch with Nature Spirits and other gabled realities by feeling than we who have gone ahead upon the path of aspiration by direct knowledge. If we recall this feeling and combine it with our knowledge, we shall have at- tained an enormous advantage. Let us, therefore, try to assimilate one of the deepest mystical stories of the past, The Ring of the Niebelung, the great epic poem of northern Europe. It relates the story of man, from the time when he dwelt in Atlantis, until this world shall have come to an end by a great conflagration and the Kingdom of the Heavens shall have been es- tablished, as foretold in the Bible. The Bible tells us of the Garden of Eden where our first parents dwelt in close touch with God, pure and innocent as children. It tells us how that state of being was abrogated and how sorrow, sin, and death came into the world. In ancient myths, like The Ring of the Niebelung, we are also intro- duced to mankind living under similar conditions of childlike innocence. The opening scene in this drama of Wagner represents life under the waters of the Rhine where the Rhine maidens swim about with rhythmic motion and a song upon their lips, imitating and undulating swell of the dancing waves. The waters are lighted by a great lump of lustrous gold and around this the Rhine daughters circle as planets move about the central Sun; for we have here the microcosmic replica of the macrocosm where the heavenly bodies move around the Central Light-giver in a majestic circle dance. The Rhine maidens represent primitive humanity during the time when we dwelt at the bottom of the ocean in the dense, foggy atmosphere of Atlantis. The gold, which lighted the scene as the Sun illuminates the solar universe, is a representation of the Universal Spirit which then brooded over mankind. We did not then see everything in clear, sharp contours as we view objects [PAGE 86] around us today, but our internal perception of the soul qualities in others was much keener than it is now. The individual Spirit feels itself an Ego and designates itself "I" in sharp contradistinction to all others, but this separative principle had not entered into the child men of early Atlantis. We had no feeling of "me" and "thee"' we felt ourselves as one great family, as children of the divine Fa- ther. Neither were we troubled about what we should eat or drink any more than children now-a-days are burdened with the material necessities of life. Time was to us one grand play and frolic. But this state could not continue, or there would have been no evolution. As the child grows up to become a man or woman to take its part in the battle of life, so also primitive mankind was destined to leave its natal home in the lowlands and ascent through the waters of Atlantis, when they condensed and flooded the basins of the Earth. Evolving humanity then en- tered the aerial conditions in which we live today as told of the ancient Israelites who went through the Red Sea to enter the Promised Land, and of Noah, who left his native place when flood waters descended. The northern myths tells us the story in another way, but though the angle of vision is different the main points of the narrative bring out the same essential ideas. In the Garden of Eden our first parents did not think for themselves. They obeyed unquestioningly whatever commands were given them by their divine leaders, much as a child in early years does as its parents wish because it has no sense of self. It lacks individuality. This, according to the Bible story, was gained when Lucier imbued them with the idea that they might become like the gods and know good and evil. In the Teutonic myth we are told that Alberich, one of these children of the Mist (NIEBEL is mist, UNG is child-they were thus called because they lived in the foggy atmosphere of Atlantis), coveted the gold which shone with such luster in the Rhine. He had heard that whoever obtained the gold and formed it into a ring would thereby be enabled to conquer the world and master all others who did not possess the treasure. Accordingly, he swam up to the great rock where the gold lay, seized it and swam rapidly towards the surface, pursued by the Rhine daughters who were in great distress at the loss of this treasure. When Alberich, the thief, had reached the surface of the water he heard a voice telling him that no one could form the gold into a ring as required to master the world, save by forswearing love; this he did instantly and forth- with commenced to rob the Earth of its treasure and gratify his desire for wealth and power. As said before, the gold, as it lay in its unformed state upon the rock of the Rhine, represents the Universal Spirit which is not the exclusive property of anyone, and Alberich represents the foremost among mankind who were impelled by the desire to conquer new worlds. They first became ensouled by the indwelling Spirit and emigrated the the highlands above; but when once in the clear atmosphere of Aryana, the world as we know it, they saw themselves clearly and distinctly as separate entities. Each realized that his interests were different from those of others; that to succeed and to win the world for himself, he must stand alone, he must look after his own interests regardless of others. Thus the Spirit drew a ring about it- self and all inside that ring was "me" and "mine," a conception which made him antagonistic to others. Hence in order to form this ring and keep a separate center it was necessary for him to forswear love. Thus, and thus only, could he disregard the interests of others that he might thrive and master the world. Alberich is not alone is his desire to draw a ring around himself for the purpose of gaining power, however. "As above so below" and vice versa, says the Hermetic axiom. The gods are also evolving. They also have aspirations for power-a desire to draw a ring around themselves-for there is war in heaven as well as upon Earth. Different cults seek to master the souls of men and their limitations are also symbolized by rings. [To Be Continued] QUESTIONS: 1] What is absolutely essential to form the Christ within? 2] What effect did the allegorical pictures, contained in the ancient myths, have upon man in his present and future development? 3] Why are these mythical pictures fading away in the etheric atmosphere of the Pacific Coast? 4] What do the Rhine Maidens and the lump of lustrous gold which lighted the water represent? 5] What do Alberich and the gold in its unformed state upon the rock represent? 6] What was necessary before Alberich could form the ring of gold and master the world? [PAGE 87] LESSON NO. 41: THE RING OF THE NIEBELUNG: "The Ring of the Gods": By appropriating a part of the Rhinegold, representing the Universal Spirit and forming it into a ring symbolical of the fact that it (the Spirit) has neither beginning nor end, the Ego came into existence as a separate entity. Within the confines of this auric ring it is supreme ruler, self-sufficient, and resents encroachment upon its domain. Thus, it placed itself beyond the pale of fellowship. Like the prodigal son, it wan- dered far from the Father, but even before it realized that it was feeding upon the husks of matter, religion stepped in to guide it back to its eter- nal home, to free it from the illusion and delusion incidental to material existence, to redeem it from the death incurred in this phase of the dense embodiment, and to show it the way to truth and life eternal. In the Teutonic myth, the warders of religion are represented as gods. Chief among them is Wotan, who is identical with the Latin Mercury, and Wotansday or Wednesday, is still named in his honor. Freya, the Venus of Norway, was goddess of beauty, who fed the other gods on the golden apples which preserved their youths. Friday is her day. Thor, the Jupiter of the Norsemen, is said to drive her car over the heavens and the noise then heard is the thunder, and the lightning sparks that fly from his hammer when he strikes at his enemies. Loge is the name of the god of Saturday. (Lorday in Scandinavian, a derivation from lue, the Scandinavian name for flame.) He is really not one of the gods, but related to the giants or nature forces. His flame is not alone the physical flame, but is also a symbol of illusion, and he, himself, is the spirit of deceit, sometimes currying favor with the gods and betraying the giants, at other times deceiving the gods and helping the giants to further his own schemes. Like Lucifer, the fiery Mars Spirit, he is also a spirit of negation, but delights also in obstruct- ing life like the cold Saturn. There is in northern mythology a reference to the still earlier cult wherein the deities of the water were worshiped, but the gods we mentioned superseded them, and are said to ride to the judgment seat every day over a rainbow bridge, Bifrost. Thus, we see that this religion dates from the dawn of the present epoch, when mankind had emerged from the waters of Atlantis into the clear atmosphere of Aryana-in which we are now loving-and where they saw the rainbow for the first time. It was said to Noah, when he led primitive mankind out of the Flood that so long as the sign of the rainbow remained in the clouds, the alternating cycles of summer and winter, night and day, should not cease, and the north- ern myth also shows us the gods gathered at the rainbow bridge in the begin- ning of this era. It and the gods remain until the moment when this phase of our evolution is ended, an event which will be shown to be identical with the description given in the Christian Apocalypse, which the Scandinavian myth will materially help to explain. Truth is universal, and unlimited. It knows no boundaries, but when the Ego enveloped itself in a ring of separate vehicles which segregated it from others, this limitation made it incapable of understanding absolute truth. Therefore a religion embodying the fullness of pure truth would have been incomprehensible to mankind and unsuited to help them. Hence, as a child who goes to school and learns a few elementary lessons the first year to prepare it for more complicated problems later, so humanity were given reli- gions of the most primitive nature to educate them to something higher by easy stages. Thus the warders of religion, the gods, are represented as desirous of building a walled fortress so that they may entrench themselves behind that wall and focalize their powers against the other faith. The Spirit cannot be limited without enmeshing itself in materiality; therefore, the gods, on the advise of Loge, the spirit of deceit and delusion, make a bargain with the giants, Fafner, and Fasolt, (representing selfishness), to build the wall of limitation. When that wall surrounds the gods they have lost the universal light and knowledge; therefore, the myth tells us that part of their payment to the builders of Valhal was to be the Sun and Moon. Furthermore, when religion has thus limited itself behind the wall of creed, the spirit of decay is introduced; it waxes old as a garment, and, therefore, it is also said that Wotan (wisdom or reason), agreed to give the giants, Freya, the goddess of beauty, who fed the gods on her golden apples to preserve their youth. Thus, by listening to advise from Loge, the spirit of deceit, the gods have sacrificed their light, their knowledge, and their hope of eternal youth and usefulness. Still, as already said, this was in a manner necessary, for mankind could not have grasped truth in its fullness then; we cannot understand it even now. The spiritual power of religion is symbolized by the magic wand of Aaron in the Bible, by the magic spear of Parsifal in the Grail myth, and by the spear of Wotan in the story of the Niebelung. To bind the bargain with the giants, magic characters were cut in the handle of the spear, which was thus weakened, and in that manner it is shown than religion loses in spiritual power what it gains in material ways when it makes a bargain with the world rulers and panders to the baser appetites. [PAGE 88] According to the teaching of the Norsemen, those only who died in battle were entitled to be taken to Valhal. Wotan desires none but the strong and the mighty warriors. Those who died of illness or in peace upon their beds were condemned to the realm of hell, the underworld. In this also there is a great lesson, for none but the noble and the fearless who spend their days fighting the battle of life TO THE VERY LAST BREATH are worthy of advance- ment. The shirkers who love ease and peace, rather than the work of the world, are not entitled to promotion in the school of life. It does not matter where we work or what the line of our experience may be, so long as we faithfully battle with the problems of life as they appear before us. Neither will it suffice if we do this for a year or two and then lapse into inactivity; we must keep on working and striving until the day of life is done. Thus the old Norse religion teaches the same lesson as Paul taught when he counseled "patient persistence in well doing." Even if we realize that we have not all truth, that we are placed under limitations by separateness, the egoism symbolized by the Ring of Niebelung, and by creed and convention symbolized by the Ring of the Gods, still if we fill our appointed niche to the best of our ability throughout our whole life we shall be certain of ad- vancement in a future age. We shall see more clearly through the veil of egoism when we willingly live the life where we have been placed, for the Recording Angles make no mistakes. They have put us in that place where we we have been given the lessons needed to prepare us for a greater sphere of usefulness. From what has been said, it is evident that the creedbound condition of the various churches-the insistence on dogma and ritual-are not, unmitigated evils, as it may have appeared to many, but in reality the necessary outcome of the limitations incidental to the material existence through the human Spirit is now passing, as thus each class is being properly taken care of. It receives as much truth as it can comprehend, and as is good for its present development. There is not need of worrying about anyone. No one can or will be lost, for, as in God we live, and move, and have our being, so, if one were lost, a part of the Divine Author of our system would be missing, an unthinkable proposition. But while a great majority of mankind are thus being taken care of by the orthodox religions, there always a few pioneers-some whose faculty of intu- ition tells them of greater heights unscaled, who see the sunlight of truth beyond the wall of creed. Their souls are starving on the husks of dogmas, and they long ardently for the apples of youth, and love sold by the gods to the giants. Even the gods are growing old rapidly, for no religion which is devoid of love can ever hope to hold mankind for any length of time. There- fore, the gods were forced to seek again the advice of Loge, the spirit of deceit, hoping through his wiles to extricate themselves from the dilemma. Loge tells then how Alberich, the Niebelung, has succeeded in hoarding up an immense treasure by enslaving his brothers. With the consent of the gods, he uses deceitful means to capture Alberich and forces him to disgorge all his treasures. He then plays upon the avaricious nature of the giants and finally succeeds in ransoming Freya. Thus the curse of the Ring (egoism and selfishness) has tainted even the gods. For the sake of the Ring (power), Alberich, the Niebelung, forswore love. He oppressed his brothers and ruled them with an iron rod. Religion, on its side, forswore love by the sale of Freya. It also stooped to deceit to force the rulers of the world to pay tribute and when the Ring of the Niebelung passed into the hands of the giants the evil fate followed it, for one brother slays the other that he may be the sole possessor of the wealth of the world. The gods have indeed regained Freya, but she is no longer the pure god- dess of love. She has been prostituted; hence; she is but the semblance of her former self and fails to satisfy those whose intuition sees deeper than the surface; such are called Walsungs in the Scandinavian myth. The first syllable is the derivation of the German word, walhlen, to choose or the Scandinavian, vaelge. The last syllable means children. They are children of desire for free will and choice, who want to choose their own path and who seek to follow their own divine instinct. [To Be Continued] QUESTIONS 1] Where was the rainbow seen for the first time? 2] Why was religion embodying pure truth withheld from primitive mankind? 3] What is the great lesson in the teaching of the Norsemen, that only those who die in battle were entitled to be taken to Valhal? 4] Why have the Recording Angels placed each of us in our present environment? 5] What does intuition tell the few pioneers in the Orthodox religion? 6] What is the desire of those whose intuition sees deeper than the surface? [PAGE 89] LESSON NO. 42: THE RING OF THE NIEBELUNG: "The Valkurie": "The Valkuerie" is the name of the second part of Wagner's great musical drama, founded upon the northern myth of the Niegelungs, and the bearers of the name were children of Wotan, as were also the Walsungs. The appropriateness of this name will be at once apparent when we under- stand that the mission of the Valuerie was to go to battles whether fought between two or more, take the slain upon their horses, and carry them to Valhal. Therefore, a battle field or a place of combat was called VALPLADS, the place where Wotan, the god, chose the valiant ones who died fighting the battle for truth (as they saw it), to be his companions in the realm of bliss (as they conceived it). Brunhilde, the spirit of truth, was therefore chief among the Valkueries, the leader of her sisters, the other virtues. She was the favorite daughter of the god Wotan. But when the gods had limited themselves and shut away the universality of truth by the Ring of Creed and dogma--symbolized by Valhal--the Walsungs, who are truth seekers first and foremost, rebelled. They manifest under different aspects as shown by the names given them in the northern myth. The root of their name is SIEG, a German word which means victory, and it is highly appropriate, for no matter what odds are against it, truths will win in the end. Siegmund, the courageous one, who is impelled to seek truth no matter what the consequences, may be slain as the result of his audacity. We shall hear how and why, presently. Sieglinda, his sister and later his wife, who has the same inward urge but dares not openly follow it, may die in despair. She transmits the hunger for the truth to their offspring Siegfried, he, who through victory gains peace, so that what one generation of truth seekers fails to accomplish, will eventually be achieved by their descendants, and in the end truth will triumph over creed and stand supreme. We are taking time by the forelock when relating or hinting at events which will be unfolded in the beautiful tale before us, but we cannot re- frain from iterating and reiterating that glorious thought, "For now we see through a glass darkly." Though the walls and limitations of physical ex- istence are about us in every direction, the time is coming when "we shall see and know even as we are known." When Siegmund, impelled by the uncontrollable desire for truth, leaves Valhal, Wotan is enraged and in order to put a check on the independent spirit of the Walsungs, he orders the marriage of Sieglinda to Hunding, who is the spirit of convention. She swoons despairingly in his arms, for she has not the courage to leave her ancestors as her brother had done. Thus she is a fit symbol of those who, though they rebel in their innermost na- tures, are married tot he conventions of the world and are afraid to make a radical change from the established code of the church, for fear of what people will think of them. Thus, though outraged in their innermost nature and thwarted in their holiest ambitions, they continue to bear the yoke of conventionality and go through the established church services for the sake of appearance. In the course of time, Siegmund comes by chance to the house of Hunding and finds his sister whom at first he does not know, but when they have rec- ognized each other, he induces her to flee with him. They bout know that this acts of theirs, this outrage against Hunding, the spirit of convention, will not be condoned by the gods, and to fortify themselves in the battle which they know is before them, they take with them a magical sword called Nothung. NOTH is need or distress, and UNG as we have already seen, means child. Thus the sword is the child of distress, the courage of despair. This sword had been buried to the hilt in Yggdrasil by no less a person than Wotan, himself, against just such an emergency as this. In order that we may thoroughly understand this beautiful symbol and the seemingly paradoxi- cal conduct of Wotan, it will be necessary to elucidate the meaning of Yggdrasil, the World Ash, the tree of life and being, as explained in the Scandinavian mythology. According to their concept, this wonderful tree reached from Earth to heaven. One of its roots was in the underworld with Hel, a terrible hag who ruled over those who had died of disease and were not, therefore, qualified to dwell with Wotan in Valhal. They represent the class of people who are indolent and neglect to fight the battle of life to the last. Hel has three children, who are closely akin to her and are always fighting the gods. who have the welfare of man at heart. They are symbols of the elements which make up the material world where death alone reigns. One is the Midgaard Serpent, a prodigious monster encircling the Earth and biting its own tail: it is the ocean. The other is the wolf Fenris, which is so subtle, yet so strong, that nothing can hold him: He represents the atmosphere surrounding the Earth and the winds which cannot be controlled. Loge, with whom we have already become acquainted, is the spirit of fire, deceit, and illusion. The other root of Yggdrasil is with the Forest Giants in chaos, whence this whole universe originated. The third root is with the gods. Under the root, which is with Hel, the Serpent, Nidhog, lies gnawing. It is the spirit of envy and malice which is subversive of good: NID means envy, and HOG, to fell. Because Yggdrasil, the tree of life in manifesta- tion, lives by love, envy and malice would fell the tree and bring it down to death and Hel. But under the root that is with the gods, is the fountain, fountain, Urd, whence the three Norns, or Fates, fetch the water of life--the spiritual impetus wherewith to water the tree and keep its leaves fresh and green. The names of these three Norns are Urd, Skuld, and Verdande. Urd is from the German, UR, the past, primordial, or virgin state in relation to man and the universe. She spins upon her wheel the thread of fate generated by us in the past; and Skuld, a name signifying debt, is the second Norn, who represents the present. To her, Urd delivers the thread of [PAGE 90] fate of past lives which we must expiate in this embodiment. It is then given to Verdande, the third Norn, whose name is a derivation of WERDENDE, the German word for becoming. She represents the future, and when the thread of fate symbolizing the debt paid at the present time is handed to her, she breaks it off piece by piece. Thus this wonderful symbol tells just that when the causation generated in past lives has worked itself into effects in this life, the debt is cancelled for all time to come. The northern mythology further tells us that besides these three chief Norms, there were many others, and that one officiated at each birth and took charge of the destiny of the child then born. We are also told that these Norns, or Fates, did not work according to their own will but were subject to the dictates of the invisible Orlog. The name is a corruption of the word UR, meaning primordial, and LOG, law. Thus we see the northenr symbol teaches that the Norns were not subject to the gods, and that our destiny is not ruled by caprice but by an inexorable law of Nature, the Law of Cause and Effect. Under the third root, which was with the Frost Giants, was the well of Mime. The Frost Giants, or nature forces, had existed prior to the estab- lishment of the Earth. They had helped its formation and, therefore, knew many things which were hidden from the gods. Therefore, even Wotan, the god of wisdom, was wont to go to the well of Mime to drink therefore, that he might receive a knowledge of the past. He also had to drink from the foun- tain of Urd that he might renew his life. Thus we see that the Hierarchies, who help us to evolve, are themselves living to learn; and the very fact that they are learning shows their li- ability to err, and, also the reason why Wotan, their chief, should provide the sword, Nothung--the courage of despair--so that in an emergency those against whom he erred might have a weapon wherewith to defend themselves. Much more might be said about this wonderful World Ash, the Yggsdrasil,m but the student has now sufficient information to enable him to understand the relation of the sword to that which follows. When Siegmund and Sieglinda, fortified with the magic sword--the courage of despair--leave the house of Hunding, the spirit of convention, to seek truth in the wide world, the outraged Hunding needs not the command of Wotan to pursue them with intent to kill. Wotan bids Brunhilde, the Valuerie, to be invisibly present at the expected battle and fight for Hunding, the spirit of conventionality. But the spirit of truth cannot fight against the truth seeker, so Brunhilde sorrowfully refuses to comply with Wotan's or- ders. When Siegmund meets Hunding in deadly combat and is about to vanquish him, Wotan interposes his spear, and upon that the sword, Nothung, is shat- tered and Siegmund, defenseless, is killed by a blow from Hunding. Thus truth is ever upon the side of the truth seeker in his battle against the conventionalities of the church and social customs. But when the power of religion, which furnished him the courage of despair necessary to stand up for his convictions, is pitted against the power of creed sym- bolized by the spear of Wotan, many an earnest soul has been vanquished, though not convinced. Siegmund may die, and Sieglinda may follow him to the grave, broken-hearted, when, assisted by Brunhilde she has given birth to Siegfried, the victor; for, as already said, the thirst for truth once felt can never be quenched until it has gained satisfaction. In the meantime, Wotan powerless to abandon Valhal, the Ring of Creed, is forced to put away from himself Brunhilde, the spirit of truth, who has dis- obeyed him; for it is a condition of creed that it be autocratic and brook no gainsaying. But as all religions are inherently imbued by a spirit of love and a sincere desire to benefit and uplift mankind, Wotan feels an overwhelming sorrow at the step which is necessary for the continuance of the policy he had adopted, and which he adheres to despite the heart-rending pleadings of Brunhilde. It is a terrible thing to part company with truth, and both feel this more keenly than words can express, when the poor creed bound Wotan must perforce put Brunhilde to sleep, as he says: "Never to be wakened, until one shall come who is more free than I." And in that saying he discloses the principal requirement in the quest of truth. "Unless a man leave father and mother," said Christ, "He cannot be- come my disciple." All limitations must have been swept away before we can hope for success in the quest of truth. [To Be Continued] QUESTIONS: 1] Through generations of Truth Seekers, what is accomplished? 2] Who are the three children of Hel and what do they each represent in the material world? 3] Explain the symbology of the three Norns, Urd, Skuld, and Verdande. 4] Why must Brunhilde refuse to comply with Wotan's order to fight for Hunding? 5] What did the birth of Siegfried, the Victor, signify? 6] What is necessary before we can hope for success in the quest of truth? [PAGE 91] LESSON NO. 43: THE RING OF THE NIEBELUNG: "Siegfried, the Truth Seeker": We have seen that it is necessary to set aside all limitations of reli- gion, family, environment, and whatever else hinders in order to be able to grasp truth, but there is still another great requirement, or one which per- haps is comprehended in the first. We cling to our religion, our friends, and our families through fear of standing alone. We obey conventions be- cause we fear to follow the dictates of the inner voice that urges us on to- ward the higher things which are incomprehensible to the majority; and therefore in reality, fear is the chief obstacle which prevents us from get- ting at truth and living it. This is also shown in the Ring of the Niebelung. Wotan decrees that Brunhilde, the spirit of truth, is to be put to sleep, because he fears the loss of his power if he retains her after she has rebelled against his limitations and refuses to shield Hunding, the spirit of convention. He pronounces her doom in sorrow, saying that she must remain asleep until one more free than he, the god, shall waken her. "Perfect love casteth out all fear," and only the fearless are free to love and to live truth. Therefore, Brunhilde is put to sleep on a desolate rock, and around her burns forever a circle of flame kindled by loge, the spirit of delusion. No one but the free--the unfettered and fearless soul--can ever hope to penetrate that circle of hallucination (conventionality) and live to love the reawakened spirit of truth, ever lovely and young. Thus the second part of the mystic drama ends with the abandonment of truth, and the triumph of convention. Creed is firmly established on Earth. Siegmund, the truth seeker, lies vanquished and dead. His sister-wife, Sieglinda, also has paid with her life for entering the quest and it would seem as if Brunhilde must sleep forever. now the Walsungs have only one representative, the orphan child Siegfried, who was left in the cave of Mime, the Niebelung, by the dying mother, Sieglinda. In time, however, the child grows up in youthful vigor, developing the strength of a giant. Beautiful as a god, he is a strange contrast to Mime, the ugly Niebelung, a dwarf who claims to be his father. This Siegfried can scarcely believe, for when he looks about him in the forest, he sees that the nestlings resemble their parents, that the young of all animals have the same characteristics which are found in their parents. He alone is differ- ent from the one who claims him as a son. When with prodigious strength he has caught a bear, and leads it into the cave of Mime, the latter is almost paralyzed with fear, an emotion utterly unknown to Siegfried. Mime, one of the most cunning smiths among the Niebelung, has forged sword after sword for the use of this young giant, but each in turn has been shattered by the powerful arm that wielded it. Mime has indeed tried to weld the sword Nothung, the child of distress, which was shattered upon the spear of Wotan in the fatal fray between Siegmund and Hunding. The fragments of this sword were brought by Sieglinda to the cave of Mime, but NO ONE WHO IS A COWARD can either forge or wield the sword, Nothung, the courage of despair; therefore, Mime, despite all his skill, has failed every time he has tried. One day when Siegfried taunts him because of his inability to make a sword that will stand, Mime brings out the frag- ments of Nothung, and tells him that if he can weld it, it will serve him well. Possessing that cardinal qualification of the trust seeker, fearless- ness, Siegfried accomplishes with unskilled hand what Mime has failed to do. He forges anew the magic sword and is thus prepared for the quest of truth and knowledge. Though ages have passed since Alberich, the Niebelung, was forced to part with the Ring as ransom to the gods, neither he nor his tribe have forgotten the power wielded by its possessor. And the longing to regain the lost treasure is still rife among all of them. For mankind, being inherently spiritual and free, will never be reconciled to the loss of individuality insisted upon under the regime of the church. Though, like Mime, they may be imbued with an uncontrollable fear; though they may cringe and fawn be- fore the higher powers, as Alberich fawned before Wotan, they always, whether subconsciously or otherwise, remember their spiritual heritage and seek to recover their estate as free agents, unbound by creed or other limitations. To this end they scheme and plot in the most subtle manner, as symbolized by the aid Mime gives Siegfried to forge anew the sword once shattered by Wotan. He sees that the young truth seeker is fearless. He knows that Fafner, one of the giants, who obtained the Ring from the gods, broods over his treasure in the form of a huge dragon, awe inspiring in the extreme. He can scarcely believe it possible for anyone to vanquish this monster, but he [PAGE 92] believes that if it can be done, this fearless young giant, Siegfried, is the only one able to accomplish the feat. It has, indeed, been said that the one who forges Nothung, will slay him; and Mime trusts to his cunning and hopes that if Siegfried kills the dragon, he, Mime, may be able to ob- tain possession of the Ring of the Niebelung and become the master of the world. There is a very deep spiritual significance in this tale, namely, that of the lower nature, plotting to use the higher self or its own vile purposes. Siegfried (he, who through victory gains peace), is the higher self at that stage of its pilgrimage where it has been left all alone, without kith or kin, where it sees that the shape of clay symbolized by Mime is not part of it, but of an entirely different race and breed, where it is ready to con- tinue its search for truth, attempted in previous lives as did Siegmund and Sieglinda, from whom the indomitable courage, that knows neither fear nor defeat, has been inherited. But though the seeking soul may forsake the world, as did Hertzleide, the mother of parsifal, who gave birth to the truth seeker in a dense forest, and as Sieglinda who bore the child, Siegfried, in the cave of Mime, the lower nature follows, scheming to use the power of spirit for worldly ends. Alas! how many have left the churches in despair because of creed, as Siegmund left Wotan; who have gained a certain knowledge of the higher things and have then misused their heavenly powers of hypnotism and mental suggestion, to attract to themselves the goods of this world, seeking rather the things of Earth which fetter than the treasures of heaven which free the soul. There has never been an age on Earth when this part of the great myth was so generally enacted as it is today. There are many thousands of people who represent in themselves, Siegfried and Mime--Dr. Jekyl and Mr. Hyde. They are roused to a greater or lesser realization of the powers of the spirit, of their divine nature and attributes as Siegfried was, but the lower phase of their nature, Mime, keeps on scheming for material benefit. And whether we call this use of the divine powers, Christian, or by an other name, it is not the science of the soul. We should be honest with ourselves and recognize the fact, that He, who had not a place whereon to lay His head, and who was the very embodiment of the attracting Christ power, refused to use that power for His own benefit. Even at the point of death He refrained, and it was said of Him that others He saved, but Him- self, He could not (would not) save because the Law of Sacrifice is greater than the law of Self-preservation: "For what shall it profit a man, though he gain the whole world and lose his own soul?" The moment we set out upon the path in earnest, the lower nature is doomed despite all its efforts of cunning to save itself. And when Mime plans to send Siegfried against the dragon, Fafner, the spirit of desire, he has in fact sealed his own fate; for when the soul has conquered the desire for worldly possessions, we are dead to the world, even though we may still live here and perform our work in the world. We are then in the world, but not of it. Led by Mime, Siegfried finds the giant Fafner guarding the cave where he has hidden the hoard of the Niebelungs. The lower nature always urges the higher to seek the material wealth of the world, seeking, thereby, to obtain standing and power in society. It is, alas, all too common, this desire and thirst for wealth and power! We are all like Mime, ready to risk our lives in the quest of gold. And though Mime quakes at the very thought of being near the dreadful dragon, he keeps on plotting, for he knows that when the Ego, represented by the Ring of the Niebelung, is so enmeshed in the snares of materiality that the body may be said to own it, when all its energies are directed by the lower nature, there is no limit to the power it may at- tain. But Siegfried, the fearless truth seeker, when he has vanquished the dragon, representing the desire nature, also slays Mime who is emblematic of the dense body. Freed from the mortal coil, the Spirit is able to understand the language of Nature. Intuitively it senses where truth, represented by Brunhilde, the Valkuerie, is hidden, and following this intuition, represented in the myth by a bird, he starts for the fire girt rock, to wake and to woo the sleeping beauty. But though we may, by laying aside the physical body, enter the realm where truth is to be found, the pathway is not by any means clear; for Wotan, the warder of creed, stretches his spear across the path of Siegfried, endeavoring to the last to dissuade or discourage the independent searcher for truth. However, the power of creed, represented by the spear of Wotan, was weakened when he bargained with the giants; in other words when it appealed to the lower side of man's nature. And in token of this weakening, magic characters were cut upon the shaft of the spear. This is therefore, easily broken in twain at the first blow from Nothung, the cour- age of despair. When the truth seeker has come to the point here described, he will no longer allow himself to be thwarted in his quest, whether the opposing power be devils like Fafner or gods like Wotan. Every obstacle he removes with ruthless hand for he has only one desire in the world, an overweaning crav- ing to know truth. Therefore, after shattering the spear of Wotan, he presses onward, led by the bird of intuition, until he comes to he circle of flame hiding Brunhilde, the sleeping spirit of truth. Neither is he daunted at sight of loge's flames of illusion and hallucination. He plunges boldly through, and behold! there lies that for which he has panted during many lives. He stoops, gathers Brunhilde in his strong, yet tender arms, and with a fervent kiss he awakens the spirit of truth from her age long sleep. [To Be Continued] QUESTIONS: 1] What is the chief obstacle which prevents us from living the truth? 2] Why does Siegfried doubt that he is the son of Mime? 3] Why was Mime unable to weld the sword Nothung, the child of distress? 4] Explain the spiritual significance of Siegfried inheriting his indomitable courage from Siegmund and Sieglinda. 5] What law is greater than the law of self-preservation? 6] What does the sleeping Brunhilde within the circle of fire represent to Siegfried? Continued with file "RC4007.TXT" End of File


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